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Within standards for bibliographic description, common usage has served as a prominent design principle, guiding the choice and form of certain names and titles. In practice, however, the determination of common usage is difficult and lends itself to varying interpretations. The purpose of this paper is to explore the presence and role of common usage in bibliographic description through an examination of previously unexplored connections between common usage and the concept of warrant.

A brief historical review of the concept of common usage was conducted, followed by a case study of the current bibliographic standard Resource Description and Access (RDA) employing qualitative content analysis to examine the appearances, delineations and functions of common usage. Findings were then compared to the existing literature on warrant in knowledge organization.

Multiple interpretations of common usage coexist within RDA and its predecessors, and the current prioritization of these interpretations tends to render user perspectives secondary to those of creators, scholars and publishers. These varying common usages and their overall reliance on concrete sources of evidence reveal a mixture of underlying warrants, with literary warrant playing a more prominent role in comparison to the also present scientific/philosophical, use and autonomous warrants.

This paper offers new understanding of the concept of common usage, and adds to the body of work examining warrant in knowledge organization practices beyond classification. It sheds light on the design of the influential standard RDA while revealing the implications of naming and labeling in widely shared bibliographic data.

Library work is increasingly being explored from the perspective of design. Still, little work has actively explored specific aspects of design as they relate to library cataloging. The purpose of this paper is to dive deeper into the relationship between library cataloging and design by exploring a specific aspect of design – the concept of repertoire, or the use of previous experiences and bodies of knowledge during current work.

To examine catalogers’ use of repertoire, this paper employed a juxtaposition of field observations of professional library catalogers’ work processes with elements of “think-aloud” protocols.

The researchers identified three major types of repertory knowledge that were demonstrated by catalogers: internally embedded repertory knowledge; externally embedded repertory knowledge; and seeking out new knowledge using other sources. Additionally, certain trends were noted concerning which repertory knowledge was utilized for which particular task. Determining subject and genre headings were noted for relying quite extensively on internal repertoire such as personal knowledge and institutional knowledge, along with external sources, such as personal notes and local examples.

This paper adds to a growing body of work calling for design approaches in libraries and related information settings, and breaks ground by applying the previously unexplored concept of repertoire to librarianship, specifically library cataloging, which offers a new perspective on cataloger’s judgement.